28 October 2016

EFSP's Dazzling Dozen: The Stars at Home

Stars and their privacy is an interesting subject. We are curious about the people we admire and desire at the Silver Screen. Are they married? How does their home look like? And what about their kids? Many famous people want to shield their private lives from the cameras, but others believe it's all in the game. Today, a dozen postcards with stars from the past photographed at home or with their loved ones.

Asta Nielsen at home
Asta Nielsen at home. German postcard by Verlag Hermann Leiser, Berlin-Wilmersdorf, no. 8645. Photo: Willinger.

Max Landa
Max Landa at home. German postcard by Verlag Hermann Leiser, Berlin, no. 9554.

Fern Andra
Fern Andra at her home. German postcard by Ross Verlag, Berlin, no. 288/2, 1919-1924. Photo: Fern Andra Atelier.

Erna Morena and child
Erna Morena and her child. German postcard by Ross Verlag, Berlin, no.311/2, 1919-1924. Photo: Wasow, München (Munich).

Ivy Close and her sons Derek and Ronald Neame
Ivy Close and her sons Derek and Ronald Neame. British postcard in the Philco (PPC) Series, no. 1070-3. Photo: Elwyn Neame.

George Robey and family
Mr. and Mrs. George Robey, Master Teddie & Miss Eileen Robey. British postcard by Rotary Photo EC., no. 4134 B.

Mickey Hargitay and Jayne Mansfield
Husband Mickey Hargitay and wife Jayne Mansfield at home. Dutch postcard by Uitgeverij Takken, no. 3674. Photo: 20th Century Fox.

Corry Brokken (1932-2016)
Dutch singer Corry Brokken with her only child, daughter Nancy, born in 1959.Dutch postcard by Gebr. Spanjersberg N.V., Rotterdam, no. 5625.

Italian-Belgian singer and actor Adamo with his many siblings. Dutch postcard by 't Sticht, Utrecht / Uitgeverij Takken, no. AX 5826. Photo: NV Bovema.

Tommy Steele
British teen idol Tommy Steele at home. German postcard by Ufa, Berlin-Tempelhof, no. CK 345. Photo: Dezo Hoffman / UFA.

House of Joan Crawford, Brentwood, LA
American postcard, no. 821. Residence of Joan Crawford, Brentwood, LA, California.
Crawford lived here between 1929 and 1956, at 426, North Bristol Avenue. The house was decorated by her friend Billy Haines.

House of Robert Taylor, Beverly Hills, LA
American postcard, no. 62679. Home of Robert Taylor, 510, Roxbury Drive, Beverly Hills, LA, California.

This is a post for Postcard Friendship Friday, hosted by Beth at the The Best Hearts are Crunchy. You can visit her by clicking on the button below.

27 October 2016

Yvonne Monlaur

Yvonne Monlaur (1939) starred in several European film productions of the late 1950s and 1960s. The glamorous French starlet is best known for her roles in a few Hammer horror films.

Yvonne Monlaur
German postcard by Krüger, no. 902/395. Photo: Gérard Decaux.

The Year's Sexiest Screen Newcomer

Yvonne Monlaur was born Yvonne Bèdat de Monlaur in Pau, France in 1939. Her father was a White Russian count and her mother was a ballet dancer, who had great plans with her daughter. Yvonne followed her mother's footsteps and took ballerina lessons.

She eventually worked as a teenage model for magazines like Elle, when director André Hunebelle discovered her. He gave her small parts in his films Treize à table/Thirteen at the Table (André Hunebelle, 1955) with Micheline Presle, and Mannequins de Paris/Mannequins of Paris (André Hunebelle, 1956) starring Madeleine Robinson. She then had a supporting part in the Fernandel comedy Honoré de Marseille/Honoré from Marseille (Maurice Régamey, 1956).

Then Italian director Franco Rossi called her to Rome for the Italian-Spanish co-production Amore a prima vista/Love at First Sight (Franco Rossi, 1958) starring Walter Chiari. She appeared in more Italian films such as Non sono più Guaglione/I am not Guaglione anymore (Domenico Paolella, 1958) with Sylva Koscina, and Tre straniere a Roma/Three Strangers in Rome (Claudio Gora, 1958) with Claudia Cardinale in one of her first leading roles.

That year Monlaur was also spotted by the British producer Anthony Hinds. He asked to come to England to play in the an episode of the TV series Women in Love (1958) with George Sanders as the host.

In 1959 she suddenly seemed to be ‘hot’ all over Europe. In France a Paris magazine voted her the year's sexiest screen newcomer, in Great Britain she was featured with a four-page pictorial in the September issue of Male magazine and in Italy she is on the cover of a June issue of Tempo magazine and an Italian newspaper called her 'the year's most promising actress'. But during the shooting of the comedy Avventura a Capri/Adventure on Capri (Giuseppe Lipartiti, 1959) she had a serious accident. She suffered bad facial burns in a speedboat accident, resulting in months of recovery at a hospital.

Claudia Cardinale, Yvonne Monlaur and Francoise Darnell in Tre straniere a Roma (1958)
East-German postcard by VEB Progress Filmvertrieb, no. 1187, 1960. Publicity still for Tre straniere a Roma/Three Strangers in Rome (Claudio Gora, 1958) with Francoise Darnell, Claudia Cardinale and Yvonne Monlaur.

Hammer Horror

In 1960 Yvonne Monlaur travelled, accompanied by her mother, to England for a series of films. First she co-starred in the comedy Inn for Trouble (C.M. Pennington-Richards, 1960). Then followed the Hammer horror film The Brides of Dracula (Terence Fisher, 1960). She was introduced in the trailer as 'the latest sex kitten from France'.

Hal Erickson writes at AllMovie: “One of the best of the Hammer horrors, Brides of Dracula stars Peter Cushing as tireless vampire hunter Dr. Van Helsing. Though Drac himself doesn't make an appearance, his influence is felt thanks to teenaged bloodsucker Baron Meinster (David Peel). The baron's loving mother (Martita Hunt) shelters her son from harm, all the while scouring the countryside for potential female victims. When misguided schoolteacher Marianne (Yvonne Monlaur) falls in love with young Meinster, Van Helsing is forced to take drastic measures to show her the error of her ways. Excellent (and very bloody) special effects highlight this sumptuous production.”

In Circus of Horrors (Sidney Hayers, 1960), this time produced by Amalgamated studios, Monlaur appeared alongside Donald Pleasance and Anton Diffring as a deranged German plastic surgeon.

She played a Chinese lady in the Hammer production The Terror of the Tongs (Anthony Bushell, 1961) with Christopher Lee as the vicious leader of a Chinese Tong gang operating in 1910 Hong Kong. Hal Erickson describes it as “a gory, garishly colored melodrama written by Jimmy Sangster in the tradition of the Fu Manchu films.”

Back in Italy she had a small part in the romantic comedy It Started in Naples (Melville Shavelson, 1960) starring Clark Gable and Sophia Loren.

She continued to work in England too and appeared in Time to Remember (Charles Jarrett, 1962), one of a series of second feature films based on Edgar Wallace novels released in the UK between 1960 and 1965.

Yvonne Monlaur
French postcard by Editions du Globe, no. 791. Photo: Studio Vauclair.

Lemmy Caution

In France Yvonne Monlaur played a supporting part in Lemmy pour les dames/Ladies’man (Bernard Borderie, 1962), one of the cult action films starring Eddie Constantine which were based on the crime novels by Peter Cheney.

She stayed in France for the crime comedy À cause, à cause d'une femme/Because of a Woman (Michel Deville, 1963) with Jacques Charrier and Mylène Demongeot, and the crime potboiler Le concerto de la peur/Night of Lust (José Bénazéraf, 1963) with a fabulous free-jazz score by Chet Baker.

The latter was a thriller about two rival mobsters who fight for control of the local drug traffic. The film also included a lesbian nightclub act, which was featured prominently on the international posters.

Monlaur then screentested for the role of Domino Derval in the James Bond film Thunderball (Terence Young, 1965). In his book The James Bond Films (1981), author Steven Jay Rubin features a picture of Monlaur posing in a 'Domino' bathing suit. The role eventually went to another French actress, Claudine Auger.

Yvonne Monlaurs moment seemed to be over. After the German crime thriller Die Rechnung - eiskalt serviert/Tip Not Included (Helmut Ashley, 1966) with George Nader as G-man Jerry Cotton, Monlaur left the cinema to return to France. Her last appearance was in the German TV series Der Tod läuft hinterher/The death runs behind (Wolfgang Becker, 1967) starring Joachim Fuchsberger.

Today Yvonne Monlaur lives in Paris and - now and then - she attends film conventions, which salute her Hammer films or her other Eurospy and action films. She also writes on her own official Yvonne Monlaur blog, on which she shares memories of her 1960s fantasy films, souvenirs of her career and confidences about her present activities.

Trailer for The Brides of Dracula (1960). Source: SuperNaturalEarth (YouTube).

Hammer Homage: The Terror of The Tongs (1961). Source: Time For Toast Productions (YouTube).

Sources: Yvonne Monlaur (Official blog), Hal Erickson (AllMovie), Cult Sirens, Glamour Girls of the Silver Screen, Wikipedia, and IMDb.

26 October 2016

Ihr Sport (1919)

Henny Porten (1890-1960) was one of Germany's most important and popular film actresses of the silent cinema. She appeared both as the tragic heroin in many dramas and as the zany girl in comedies. We love the images of the postcards produced for her comedy Ihr Sport/Her Sport (Rudolf Biebrach, 1919).

Henny Porten in Ihr Sport
German postcard by Ross Verlag, no. 609/1. Photo: Messter Film, Berlin. Publicity still of Henny Porten in the German silent film Ihr Sport (1919).

Henny Porten in Ihr Sport
German postcard by Ross Verlag, no. 609/2. Photo: Messter Film, Berlin. Publicity still of Henny Porten in the German silent film Ihr Sport (1919).

Henny Porten in Ihr Sport
German postcard by Ross Verlag, no. 609/3. Photo: Messter Film, Berlin. Publicity still of Henny Porten in the German silent film Ihr Sport (1919).

The Man Hater

Henny Porten plays in Ihr Sport/Her Sport (Rudolf Biebrach, 1919) Adelina von Gentz, known as 'Männerfresserin' (man hater) .

When her friend Helga (Wally Koch) is about to marry old-fashioned Rudolf Walters (George Schnell), Adelina writes Helga to rebel against her new husband.

On their honeymoon the newly married couple travel to the Silesian Karpates where Adelina lives. Upon their arrival, the couple is at odds with each other.

This is the ideal condition for Adelina to try to break up her friend's new marriage. She disguises herself as a maid and assumes a position in the hotel where the couple Walters has descended. She wants to tease Helga's husband.

In the hotel, Adelina meets namesake Rudi Walters (Hermann Thimig), who causes Adelina to quickly cast aside her hostile attitude towards men. At the end of the film, Adelina has not only found love, but has also reconciled Helga and her husband.

As the shooting in the snow proves, Ihr Sport was shot in early 1919, immediately after the shooting of the Porten film Irrungen. The script was written by Robert Wiene, cinematography was by Willibald Gaebel, and the sets were designed by Ludwig Kainer. Actress Wally Koch (Helga) also edited the film.

The film passed censorship in March 1919, but was forbidden for young people. Ihr Sport premiered at the Berlin Mozartsaal cinema on 12 April 1919. In the weekly Austrian film programme Paimann’s Filmlisten, Franz Paimann wrote about the film: "Humor very good. Cinematography, acting and sets excellent."

Henny Porten in Ihr Sport
German postcard by Ross Verlag, no. 609/4. Photo: Messter Film, Berlin. Publicity still of Henny Porten in the German silent film Ihr Sport (1919).

Henny Porten in Ihr Sport
German postcard by Ross Verlag, no. 609/5. Photo: Messter Film, Berlin. Publicity still of Henny Porten in the German silent film Ihr Sport (1919).

Henny Porten in Ihr Sport
German postcard by Ross Verlag, no. 609/6. Photo: Messter Film, Berlin. Publicity still of Henny Porten in the German silent film Ihr Sport (1919).

Sources: Wikipedia (German and English) and IMDb.