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12 December 2017

Hermann Brix

Hermann Brix (1912-1982) was an Austrian actor and theatre and radio play author. Between 1939 and 1944 he starred in many Terra films. He should not be confused with the American actor Herman Brix (a.k.a. Bruce Bennett).

Hermann Brix
German postcard by Ross Verlag, no. A 2995/1, 1939-1940. Photo: Baumann / Terra.

Hermann Brix
German postcard by Ross Verlag, no. A 3230/1, 1941-1944. Photo: Quick / Terra Film.

Unknown Mother


Hermann Brix was born in Innsbruck, Austria (then Austria-Hungary) in 1912. He studied German and medicine first, took acting lessons after that, and in 1936 he debuted on stage in Prague. Later he got an engagement at the Münchner Kammerspiele in Munich.

Brix became well-known as a film actor in German cinema during the war years, mostly at Terra-Filmkunst. He probably started his film career in the Terra-production Opernball/Opera Ball (Géza von Bolváry, 1939) with Paul Hörbiger.

This first film appearance was soon followed by Maria Ilona (Géza von Bolváry, 1939) in which he played Emperor Franz Joseph opposite Paula Wessely. After the premiere of tis film in Vienna, he signed a contract with Terra Film in Berlin.

For Terra, Brix appeared in such films as Die guten Sieben/The Lucky Seven (Wolfgang Liebeneier, 1940) starring Johannes Riemann, and Alarm auf Station III/Alarm on station III (Philipp Lothar Mayring, 1939) starring Gustav Fröhlich.

Slowly, his parts became bigger as in Falschmünzer/Forger (Hermann Pfeiffer, 1940), Der Herr im Haus/The Landlord (Heinz Helbig, 1940) starring Hans Moser, Sein Sohn/His Son (Peter Paul Breuer, 1941), and Dreimal Hochzeit/Three times wedding (Géza von Bolváry, 1941) with Marte Harell and Willy Fritsch.

Brix had his first lead in Die Kelnerin Anna/The Waitress Anna (Peter Paul Breuer, 1941) as a young music student in Salzburg, who doesn’t know that the local waitress (Franziska Kinz) who takes so much care of him is his mother.

Hermann Brix
German postcard by Ross Verlag, no A 3331/1, 1941-1944. Photo: Quick / Terra.

Hermann Brix
German postcard by Film-Foto-Verlag, no. A 3591/1, 1941-1944. Photo: Baumann / Terra.

Titanic


Hermann Brix played a band leader in the disaster drama Titanic (Herbert Selpin, 1943), and a police commissioner in the spy story Die goldene Spinne/The Golden Spider (Erich Engels, 1943).

He appeared as Eva Maria Meineke’s lover in the comedy Moselfahrt mit Monika/A Trip on the Mosel with Monika (Roger von Norman, 1944). The film was completed in 1944, but submitted to Filmprüfstelle in October 1944, and it was eventually released in 1952.

His last wartime performance was in the romantic comedy Der Meisterdetektiv/The master detective (Hubert Marischka, 1944) with Georg Alexander.

After the war Brix worked only twice as a film actor. In 1947 he appeared in the French-Austrian comedy Les amours de Blanche Neige/The Loves of Snowwhite (Edi Wieser, 1947). Three years later he played the lead in the comedy Die Erbschaft aus Amerika/Luck from Ohio (Heinz Paul, 1950).

Rudi Polt at IMDb suggests that Brix  was more interested in stage theatre and radio. He returned to his birth town Innsbrück where he wrote stage and radio plays.

From 1966 on he taught drama at the Universität Innsbruck and was manager of the Studiobühne. Among his pupils were Dietmar Schönherr, Axel Corti, and Volkmar Parschalk. He also directed several plays at the Tiroler Landestheater.

Hermann Brix died in Innsbruck in 1982. He was 70.

Hermann Brix
German postcard by Ross Verlag, no. A 2693/1, 1941-1944. Photo: Quick/Terra. Collection: Didier Hanson.

Hermann Brix
German postcard by Ross Verlag, no. A 3331/2, 1941-1944. Photo: Quick/Terra. Collection: Didier Hanson.

Hermann Brix
German postcard by Ross Verlag, no. A 2564/1, 1941-1944. Photo: Baumann/Terra. Collection: Didier Hanson.

Sources: Rudi Polt (IMDb), Thomas Staedeli (Cyranos), Filmportal.de, Wikipedia (German) and IMDb.

11 December 2017

Alla Larionova

Beautiful Russian stage and film actress Alla Larionova (1931-2000) was one of the most popular stars of the Soviet cinema of the 1950s. She was known for such films as the Fairy-tale Sadko (1952), Anna na shee (1954) and Trizhdy voskresshiy (1960).

Alla Larionova
Russian postcard, no. A 09462, 1965. Photo: G. Ter-Ovanesova.

A Forbidden Beautiful World


Alla Dmitrievna Larionova was born in Moscow, USSR (now Russia) in 1931. Her father was an employee of a food store, and her mother worked as a keeper in a kindergarten. Her parents named her after the film star Alla Tarasova, and thus programmed their little daughter for the future.

After her father went to the front, Alla and her mother evacuated to Menzelinsk, where her mother worked in a hospital. Here, 9-year-old Alla Larionova appeared for the first time on stage. She read poetry to the wounded in the hospital.

When she was barely 15 years old, the young and charming Alla was discovered for the cinema. An unfamiliar woman approached her on the street, and asked if the girl wanted to act in films. Of course, Larionova wanted and appeared in a small part in the biographical drama Michurin (Aleksandr Dovzhenko, 1949), featuring Grigori Belov.

After graduation, Alla went to study as an actress at the Lunacharsky State Institute for Theatre Arts (GITIS) in Moscow. In 1948, she continued her studies at the Gerasimov Institute of Cinematography (VGIK), where she met her future husband Nikolai Rybnikov. At the GITIS, she failed miserably at her exams. Before her examiners, she saw the famous director Vasily Mikhailovich Goncharov and got a black-out.

However, during her study years, she got a star-making role, which determined her entire career in the cinema. She played Lyubava in Sadko (Aleksandr Ptushko, 1952) with Sergei Stolyarov. The Fairy-tale film was so successful that the following year the film was invited to Venice Film Festival, where it won the Silver Lion.

This success meant an international breakthrough for the Soviet cinema. In Venice, the beautiful Larionova was followed by crowds of journalists and admirers ran. Well-known producers and directors, including Charles Chaplin, offered her roles that she flatly refused. As the Russian website 24smi writes: “official representatives, officials who accompanied a group of artists abroad, were strictly forbidden to go to contacts with ‘bourgeois’ directors.” Larionova returned home from Italy in tears. She had been allowed to touch a beautiful world, to see it, but was forbidden to live in it.

Back home, she was offered the leading role in Anna na shee/The Anna Cross (Isidor Annensky, 1954), based on a short story by Anton Chekhov. The film turned Larionova into a big star of the Soviet cinema. Hundreds of people, often in bad weather, stood in queues in front of cinemas to see the film. After the actress starred as the beautiful Olivia in Dvenadtsataya noch/Twelfth Night (A. Abramov, Yan Frid, 1955), fans followed her to the studio and her apartment, looked in windows and waited for her exit. Even the minister of culture came to see the actress.

Alla Larionova
Russian postcard, no. AB13758, 1958. Photo: V. Kačna.

Alla Larionova
Russian multiview postcard, no. 1446, 1963. Included are scene photos from Sadko (1952), Vikhri vrazhdebnye/Hostile Whirlwinds (Mikhail Kalatozov, 1953), Anna na shee (1954), and Dvenadtsataya noch/Twelfth Night (A. Abramov, Yan Frid, 1955).

Hindered by the officials


Curiously, Alla Larionova was not offered any more leading roles and her career seemed to be hindered by officials. For example for the film Ilya Muromets/The Sword and the Dragon (Aleksandr Ptushko, 1956), Larionova was not allowed to travel to Yalta, where the shooting of the film took place.

Her few leading roles in the following years included Sudba barabanshchika/The Drummer's Fate (Viktor Eisymont, 1956), the romance Mlechnyy Put/Milky Way (Isaak Shmaruk, 1959) and Trizhdy voskresshiy/Thrice Resurrected (Leonid Gayday, 1960).

During the 1960s and 1970s, Alla Larionova never got leading roles. When the beautiful actress starred in a film it was in ‘ugly’ roles, such as in Dikiy myod/Wild Honey (Vladimir Chebotaryov, 1967), where her face was smeared with mud.

Larionova proved that she could play character roles very well. She played Natalia Dmitrievna Paskudin in the Anton Chekhov adaptation Tri sestry/The Three Sisters (Samson Samsonov, 1964), Donesova in Ko mne, Mukhtar!/Come Here, Mukhtar! (Semyon Tumanov, 1965), Elena Ivanovna in Fokusnik/The Magician (Pyotr Todorovskiy, 1967) and Ekaterina II in the family comedy Yest ideya!/There is an idea! (Vladimir Bychkov, 1977).

But the kind of roles that had made her famous, she was not offered anymore. When she turned 60, Alla Larionova was given the title People's Artist of the RSFSR in 1990, but no significant roles followed anymore. Russian Wikipedia suggests the reason was a scar in her face caused by an accident. Actor George Yumatov, in a state of intoxication, had decided to take Alla Larionova home and caused the accident at which she hit her head and cut her lip. After that, she ceased to appear in films, since the scar was too noticeable.

Larionova lived very quietly and modestly. She travelled around the country with the theatre group named after Eugene Vakhtangov. She was married to Nikolai Rybnikov from 1957 till his death in 1990. Shortly after their marriage was registered, she gave birth to her daughter Alena from actor Ivan Pereverzev. In 1961, their second daughter Arina was born. Alla Larionova died from a heart attack in 2000 in Moscow, Russia. She was buried next to her husband at the Troekurovsky cemetery. In 2004, their daughter Arina, addicted to alcohol, died.

Alla Larionova
Small Russian collectors card.

Alla Larionova
Russian postcard, no. A-06650. Photo: G. Vajlja.

Sources: 24 smi (Russian), Wikipedia (Russian) and IMDb.

10 December 2017

Fesseln (1918)

German actress, writer and producer Hedda Vernon was the star of the Eiko Film production Fesseln/Chains (Hubert Moest, 1918). During the 1910s, she was such a popular film star in Germany that she got her own Hedda-Vernon serial.

Hedda Vernon in Fesseln
German postcard in the Film Sterne series by Rotophot, no. 559/1. Photo: Eiko-Film. Hedda Vernon and Hermann Vallentin in Fesseln (Hubert Moest, 1918).

Hedda Vernon in Fesseln
German postcard in the Film Sterne series by Rotophot, no. 559/2. Photo: Eiko-Film. Hedda Vernon in Fesseln (Hubert Moest, 1918).

A forgotten film


Little is known about this film. Fesseln/Chains (Hubert Moest, 1918) was offered to the German National Board of Censors in August 1918.

Fesseln is one of the seven silent films from 1918 in which German film star Hedda Vernon (1886–1925) played the lead role. Between 1912 and 1925 she starred in more than 80 films. How and where she died is unknown.

Next to Hedda Vernon were in the cast: Emil Albes, Ewald Brückner, Lucie Friedrich, Hermann Vallentin and Erich Wilde.

The film was scripted by Richard Wilde. We don't what the plot was about, but the postcards seem to suggest a storyline. Vernon plays a poor girl who finds a job as a nanny but is maltreated.

Director was Hubert Moest, who was Hedda Vernon's husband from 1913 till 1920. Moest was also her regular film director at Eiko in the years 1914-1918 and afterwards at other companies, including his own company Moest-Film from 1919 on.

Rotophot produced this series of sepia postcards with scenes from the film in their Film Sterne (Film Stars) series. Number 559/5 is still missing.

Hedda Vernon in Fesseln
German postcard in the Film Sterne series by Rotophot, no. 559/3. Photo: Eiko-Film. Hedda Vernon and Hermann Vallentin in Fesseln (Hubert Moest, 1918).

Hedda Vernon in Fesseln
German postcard in the Film Sterne series by Rotophot, no. 559/4. Photo: Eiko-Film. Hedda Vernon in Fesseln (Hubert Moest, 1918).

Hedda Vernon in Fesseln
German postcard in the Film Sterne series by Rotophot, no. 559/6. Photo: Eiko-Film. Hedda Vernon in Fesseln (Hubert Moest, 1918).

Sources: Wikipedia (German) and IMDb.